
Monday, 29 March 2010
Research of advertisements within magazines

Focus Group
The importance of the CD cover
Sunday, 28 March 2010
Photo shoot
Planning Ancillary tasks

Wednesday, 24 March 2010
How this effected out finial out come
Early rushes
After capturing some footage we decided to create a focus group who we would show the start of our music video to, this would help us determine if we are heading down the right root to creating a successful music video or heading to an epic fail. After showing our early footage to the class we received several opinions.
i found the finding very dominant with a few oppositional comments, as a encoder I had to rethink my situation and put myself in the decoders position and work backwards know would messages would be taken from the video and how i can show thing from the encoders roll. From the comments received i decided to create a questionnaire for the people who have watch my video to give me stronger feed back my video was and what appeals to them in a music video.
My target Audience
Monday, 15 March 2010
Filming
Filming – main actor and lyric
The song alloway grove has an autumn feel to it, so the weather and leaves were perfect for we are filming in the autumn, the only problem we had was capturing the right day to capture out filming. Most of the days we had planned to film had been poor weather apart from today. We used a local park, Danorlan, this was again ideal for our scenery as the gold leaves surrounded out main actor.
To keep out main character in sync with our chosen track we took an iPod speaker to play the track while we filmed this will be very helpful when coming to editing because we can connect the sound waves.
We used this section of filming for the base line, so we can play the story from what has been sung from out main actor. This section of filming turned out very successful we captured some interesting shots and an attractive establishing shot.
Due to our planning for this scene we managed to capture all the shots needed.
Going back
After filming our house senses we needed to go back and retouch some of our shaky shots, and capture some new ones.
The note plays a large part in the video, so we try and express this though close ups and the length of the shots. One of the best shots we captured was the to the house
Filming – bed room scene
Our first scene of filming was the bed room scene, here we have this mysterious girl and man, no showing faces so we never become attached to them in the video, giving them no character. Starting with the over the body shot, capturing red underwear symbolising danger, this help us as an audience gain the idea she is dangerous and untrusting. We want these scenes to tell the story of this girl, while we follow the story of Paolo Nutini (our main actor James).
What shots we used and why?
Over the body – similar to over the shoulder but this way we can capture the scenery and the other actor in the same shot. We aimed the shot towards the window due to capturing the morning glaze from the sun peeping though the window, reasoning for this is to give the audience the message that these to have sent the night together, this is also backed with the use of them both being in underwear and how the hold each other in the two shot.
Two shot – both the couple come together showing affection and lust.
Close ups – as we want to create pace and a since of rush we used close ups to show the clothes being thrown into a suit case, then flicking to a bird’s eye view, this has to be the most one of the most successful shots along with we put the camera into the suitcase and recorded while she zipped up.
The note is a large part in our music video as it explains why she leaves our main actor (James) and moves to London.
Tracking shots – we have this though the hall way of the house, following them as they leave.
We took great time in capturing the right shot, having an idea in my head and on paper while filming we found some angles worked better than we had down, so a few minor changes will have to be made to the story board.
Over all the shooting went well, but we may need to go back and touch up on certain parts where the shots have been cut to quickly or camera has shaken.
what i plan to show through my music video
Storyboard & Lyrics

Alloway Groove
Coming home again
To see a girl thats prettier than a diamond shining in the sun
Oh what fun!
I wonder if she's been naked in her room since I've been gone
I wonder if she's said to them as she said to me before
However much you use me baby, come on use me more
However much you use me baby, come on use me more
Getting off the train
To see a girl thats sweeter than an apple picked from Adam's tree
Oh glory be!
And I wonder if she's been pressed against an unfamiliar wall
And said to all those men as she said to me before
However much you want me, I swear I'll make you want me more
However much you want me, I swear I'll make you want me more and more and more and more
La-la-la, la la la la
Arriving at the door
Just to be told that the girl I'm missing has been in London for a while
No more northern skies for her
They say she's left a letter up the stair for everyone
It's pinned against her bedroom door for all the world to see and she says
However much I love you, you will always love me more
However much I love you, you will always love me more
And I guess it's true
However much she loves me I will always love her more
La-la-la la la la la
I'll love you more and more, I'll love you more
I'll love you more and more, I'll love you more
I'll love you more and more, I'll love you more
I'll love you more and more, I'll love you more and more and more....
Thursday, 11 March 2010
Planning - Approach with reference to research
Wednesday, 10 March 2010
Semiotics understandings
- Iconic signs: The signifier is connected to the signified through the principle of resemblance. Iconic signs are obviously important for images, since many images resemble what they refer to – but not always. Consider image on a male/female toilet.
- Indexical signs: The signifier makes you think of the signified because the two are frequently physically connected in the real world (the principle of contiguity). Cause-and-effect links are good examples of indexical signs: smoke is caused by fire and contiguous with it, and therefore the smell of smoke (signifier) makes you think of fire (signified).
- Symbolic signs: [purely artificial] the signifier is linked to the signified only by an arbitrary, human-imposed convention. There is no physical connection or natural resemblance between the English word “dog” and the concept *dog*. Any other signifier could just as plausibly be used to convey that concept, provided a group of people agree to do so, and indeed in German, “Hund” ➞ *dog*; in Spanish, “perro” ➞ *dog*; in French, “chien” ➞ *dog*, and so on.
Useful vocab:
Semiotics The study of Signs
Sign A sign is anything that conveys meaning. A sign is made up of two parts; the signifier and the signified.
Signifier Is the sign itself. A picture, words, music whatever.
Signified Is the meaning taken from the sign.
Denotation Is the first order meaning – the obvious meaning of the sign.
Connotation Is a deeper less obvious meaning – often implied through convention.
IntertextualityRefers to the relationship between texts, where texts reference one another. For example all texts from one particular genre are intertextually linked. A Music Magazine will be intertextually linked to a song that the magazine reviews/features.
Polysemic Literally means many meanings. All signs have multiple meanings. This might refer more to connotative meaning more than denotative meaning. The meaning we take from a sign might be influenced by our, age, gender, ethnicity or the context of viewing amongst other things.
Didactic Didactic texts are more likely to have denotative obvious meaning and are less open to interpretation.
Syntagmatic Syntagmatic connotation refers to the meaning signs make when they work together. For example a caption under a photograph.
Anchorage Media Producers use anchorage to prevent signs from being polysemic. They anchor the meaning of a text by using a supporting to sign. There fore signs work together syntagmatically to anchor the meaning and prevent polysemic readings.
Stuart Hall - encoding and decoding model
- Institution: The people who produce texts and their reasons for it, the endcoders. Factors considered might be the encoders social background, i.e. religion, race etc, and their available budget for the production. These all contribute to the overall media product.
- The Content: The actual content of the media text itself. Exploring the genre, codes and conventions, narrative and representation.
- Audience: The media industry looks at who the audience are, the impact the text may have on them and their reactions to the media text.
2. Those who create media texts are known as encoders. The encoders create meaning and connotations for their text, keeping in mind an assumption of how the text will be understood and how the targeted audience will receive the text.
3. The audience, also referred to as decoders, will all take a meaning out of the text. This may vary from person to person as they try to understand the encoders intended meaning.
4. All signs and symbols are polysemic and thus all media texts are polysemic. Each individual will decode media texts in a different way. Hall suggest there are 4 key ways in which media texts are decoded:
•Dominant reading: the reader fully shares the text’s code and accepts and reproduces the preferred reading.
•Negotiated reading: the reader partly shares the text’s code and broadly accepts the dominant reading, but sometimes resists and modifies it in a way that reflects their own position, experiences, and interests.
•Oppositional reading: the reader is in a social situation that places him or her in direct opposition to the dominant code. The reader understands the dominant reading but does not share the text’s code and rejects the reading, bringing to bear an alternative frame of reference.
•Aberrant reading: the reader is unable to take the meaning that the encoder put into the text. There is a gap (dissonance) between the cultural assumptions of the encoder and the cultural context of the decoder. They just don’t get it.
5.When creating a media text, all encoders often wants their audience to take a dominant reading approach. To ensure their texts are received in such as way by the audience, the encoder may try and make the text less polysemic and not as open to multiple meanings.
6. Encoders will try to speak to their audience in an appropriate way so that they will understand and relate to the text. This is known as the mode of address. Usually the encoders will make assumptions about the decoders knowledge, interests and perception of the world, encoding their texts accordingly.[Take girl's magazines for example.] These are assumptions are cultural and can have an impact on the way the decoder receives the text.
7. The assumed language and points of reference an encoder uses to connect with an assumed target audience is known as the ‘Public Idiom.’